technique

We just finished our two-night run of the east-end edition of the Undone Cabaret. It was, literally, a full house both nights.  Without suggesting that our performance was awesome, I would like to state that, in general,  house concerts are a wonderful thing.  The set-up is cozy, personal, and full of sparkle. It makes everyday living extraordinary, turning intimate personal space into a public performance space. And houses are weird performance spaces. When Jen and I first performed the cabaret at a house concert in the West End, we were confronted with a space that simply couldn’t be set up… Read More »the joy and agony of performance