CMA 2026 Bibliography
Baker, G. (2024, May). Is it time to stop talking about social transformation?https://www.researchgate.net/publication/380760374_Is_it_time_to_stop_talking_about_music_and_social_transformation?fbclid=IwZXh0bgNhZW0CMTAAAR0RLjuqhddsfN3USU2LyjXz_CyeQ3KZHsyQdLQbMkrSqpI1c2N2RTUXJBY_aem_AdA51OsDYgsYEq_pnilPPcYAUdCjOh4RDsm3-ICNxp1VksZhz71K_EIacIknfcspeZgv0Q0eyENBka4Py8Sh3Bm8
Bartleet, B.-L. (2023). A conceptual framework for understanding and articulating the social impact of community music. International Journal of Community Music, 16(1), 31–49. https://doi.org/10.1386/ijcm_00074_1
Bartleet, B.-L., & Higgins, L. (Eds.). (2018). The Oxford Handbook of Community Music. Oxford University Press.
Camlin, D. (2023). Music making and civic imagination: A holistic philosophy. Intellect.
Carson, C., & Westvall, M. (2024). Art for all’s sake: Co-creation, “Artizenship” and negotiated practices. In M. Westvall & E. Achieng’Akuno (Eds.), Music as Agency: Diversities of Perspectives on Artistic Citizenship(pp. 8–19). Taylor & Francis.
Garcia-Cuesta, S. (2024). Listening All Around: What Could the Fluid Conceptualization of Artistic Citizenships Do? – ACT. Action, Criticism & Theory for Music Education, 23(1), 80–101.
Gray, C. (2014). The Massey Murder. HarperCollins.
Higgins, L. (2012). Community Music: In Theory and In Practice. Oxford University Press. https://doi.org/10.1093/acprof:oso/9780199777839.001.0001
Higgins, L., & Willingham, L. (2017). Engaging in community music: An introduction. Routledge.
Kovach, M. (2021). Indigenous methodologies: Characteristics, conversations and contexts (Second edition). University of Toronto Press.
Laurila, K. (2021). Song as the catalyst that promotes envisioning ethical spaces. In L. Willingham (Ed.), Community Music at the Boundaries (pp. 260–273). Wilfrid Laurier University Press.
Laurila, K., & Willingham, L. (2017). Drum circles and community music: Reconciling the difference. International Journal of Community Music, 10(2), 139–156.
Lorinc, J., McClelland, M., Scheinberg, E., & Taylor, T. (Eds.). (2015). The Ward: The life and loss of Toronto’s first immigrant neighbourhood (First edition). Coach House Books.
Matarasso, F. (2025). From us & them to we: Some thoughts on co-creation, cultural democracy, and a human rights approach to music inclusion. In A. Petri-Preis & A. Ziegenmeyer (Eds.), Turning Social: The Social-Transformative Potential of Music Mediation (pp. 43–60). mdwPress. https://doi.org/10.1515/9783839425015
OConnor, P. J. (1986). The story of Central Neighbourhood House, 1911-1986. Toronto Association of Neighbourhood Services.
Robinson, D. (2019). To All Who Should Be Concerned. Intersections: Canadian Journal of Music / Intersections : Revue Canadienne de Musique, 39(1), 137–144. https://doi.org/10.7202/1075347ar
Truth and Reconciliation Commission ofCanada. (2015). Honouring the Truth, Reconciling for the Future: Summary of the Final Report of the Truth and Reconciliation Commission of Canada. The Truth and Reconciliation Commission of Canada.
Westvall, M., & Achieng’Akuno, E. (Eds.). (2024). Music as Agency: Diversities of Perspectives on Artistic Citizenship. Taylor & Francis.
Young, J. Alex. (2023). Knowledge is Respect: Sharing Culture, Community and Music with an Indigenous Worldview. Canadian Music Educator / Musicien Educateur Au Canada, 65(1), 26–30.
